DEAR KUNANYI PAIR (2018)

Artist Statement:

These two artworks were exhibited at the Long Gallery as part of a show exploring artists’ relationships with Mount Wellington/kunanyi—its significance to Hobart, and its presence in daily life. The exhibition formed a patchwork quilt of experiences, shared at the darkest point of winter when the mountain feels most vital. It also stood as a collective act of resistance against the proposed cable car development, with many artists reflecting on how such projects could harm Tasmania’s unique environment.

Kirsty’s contribution comments on the threats that over-tourism and industrialisation pose to Hobart, warning of the potential impact on both its fragile natural environment and small community. Created with soft chalk pastel and acrylic on canvas, her work imagines a built-up Tasmania, emphasising how easily wilderness could give way to unchecked development.

The piece underscores the importance of protecting Tasmania’s natural identity as a wilderness destination. The Tasmanian Wilderness World Heritage Area (TWWHA)—covering nearly 25% of the island is recognised globally for its outstanding natural and cultural values. Kirsty’s work calls attention to what stands to be lost if development overshadows preservation.